Carol Frith Houses of the Dead
I
What is he—a hybrid memento mori?
But that’s not certain. There’s no telling what
this means.
A death’s head, bowing.
I’m interested in model homes:
the Hawk, the Lamprey. Or
is that Osprey?
The dead forget us, rise or descend,
bones pale as clean water:
scratchings on a map.
We’re in a white and reedy field,
a page, perhaps a reliquary.
II
Strike a match: crooked little flame.
Double-paned windows and faux granite
countertops.
To the north, the bird preserve. For a little while
this afternoon, a daylight moon:
evening is a bone child dreaming past us:
three moons, two moons, none.
I can count the dead on two fingers.
Write this down:
sadness is so like an Osprey, Lamprey. Change
the order of the words: how this dead
man is unhoused. He bows and bows to us.
He has quite unmade himself.
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